Kinotavr 1996
An End and a New Beginning
Bibliographic Data
| ID | 3952270 |
|---|---|
| Authors | Ludmila Pruner (corresponding author) |
| Year | 1997 |
| Volume | 56 |
| Issue | 2 |
| Pages | 294 |
| Publication date | 1997-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Russian Review (JOURNAL) |
| Journal identifiers | ISSN: 0036-0341 • E-ISSN: 1467-9434 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/131663 |
| OpenAlex | W2325878401 |
| Language | EN |
| Citations received | 1 |
Opening on the eve of the one-hundredth anniversary of the Lumiere Brothers Cinematic Shows in Russia, the 1996 International Film Festival in Sochi (known as Kinotavr) raised many hopes. The greatest concern was to refute the widespread rumors of the death of Russian and other CIS national cinemas. Mark Rudinshtein, the indefatigable festival producer, Oleg Yankovsky, the president, and Larisa Blank, the director, wanted to turn the event into a hit-parade of the best Russian films; at the same time, they invited the participants to step into what they hoped would become the creatively more fruitful second century of otechestvennoe or rossiiskoe kino
| Citations per year | 0.07 |
|---|---|
| Citation span | 2011 - 2011 (1) |
| Highly cited | No |