Zantray lan Ginen
Performing the Feminine and Haiti's Sacred Spaces
Bibliographic Data
| ID | 3954329 |
|---|---|
| Authors | Stéphanie Melyon-Reinette (corresponding author) |
| Year | 2023 |
| Volume | 29 |
| Issue | 1 |
| Pages | 97-116 |
| Publication date | 2023-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Haitian studies (JOURNAL) |
| Journal identifiers | ISSN: 1090-3488 • E-ISSN: 2333-7311 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jhs.2023.a922860 |
| OpenAlex | W4393044728 |
| Language | EN |
Here we come together as Caribbean artists committed to ecofeminist activism and the sacred sanctuaries that support life in this era of climate disaster . The multilateral conversation Zantray lan Ginen , which could be translated as "Afro-fertilized or Africa-fertilizing wombs," is an exploration of the interconnectedness between Haiti and the Caribbean through Vodou, the kinships between women's wombs and nature, and the sacredness that traverses those circles. At the crossroads of performance studies and environmentalism, this conversation brings together the creative ecologies and speech flows of four female artists: Haitian choreographer, artist and performer Linda Isabelle François Obas, interdisciplinary artist Oceana James from Saint Croix (US Virgin Islands), Cuban dancer-choreographer Yaima Santana Galindo, and me, Stéphanie Melyon-Reinette, a performer-choreographer from Guadeloupe. I met each of these other artists during my own artistic peregrinations in Cuba, Haiti, and Puerto Rico
Art · Art history · Conversation · Environmentalism · Performing arts · Political science · Politics · Sociology · Visual arts · Anthropology · Caribbean and African Literature and Culture · Communication · Cuban History and Society · Gender Studies · History · Law · Water Governance and Infrastructure
| Highly cited | No |
|---|