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Persian in Arabic Poetry

Identity Politics and Abbasid Macaronics

Bibliographic Data

ID3964108
AuthorsLara Harb (0000-0003-1346-2039, corresponding author)
Year2021
Volume139
Issue1
Publication date2021-09-19
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the American Oriental Society (JOURNAL)
Journal identifiersISSN: 0003-0279 • E-ISSN: 2169-2289
PublisherAmerican Oriental Society (PUBLISHER • US)
DOI10.7817/jameroriesoci.139.1.0001
OpenAlexW2946298215
LanguageEN
Citations received2

Notable examples of macaronics, the insertion of foreign vocabulary into poetry, are attributed to the well-known eighth-century poet, Abū Nuwās, who experimented with mixing Persian in his Arabic poetry but whose motivation remains unclear. This article looks at a selection of his and other macaronic verses ranging from the seventh to tenth centuries and argues that Persian was inserted deliberately as a marker of a Persian identity, standing for the "foreign Other." Far from being a sign of a pro-Persian shuʿūbī sentiment, the employment of Persian only reinforces the established hierarchy of the two identities in that period. By the tenth century, however, this hierarchy is cleverly flipped on its head in a macaronic poem by the popular Iraqi poet, Ibn al-Ḥajjāj. While many of the examples are comic and even obscene in character, this article shows that the employment of Persian in Arabic poetry was a deliberate practice with serious and meaningful implications

Aesthetics · Arabic · Arabic literature · Art · Comics · Hierarchy · Identity (music · Linguistics · Literature · Period (music · Persian · Poetry · Political science · Sign (mathematics · Education and Islamic Studies · Eurasian Exchange Networks · History · Islamic Studies and History · Law · Mathematics · Philosophy

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Unique citing works2
Citations per year0,4
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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