The Upright Brush
Yan Zhenqing's Calligraphy and Song Literati Politics
Dados Bibliográficos
| ID | 3965386 |
|---|---|
| Autores | Robert E Harrist, Amy Mcnair |
| Ano | 2001 |
| Volume | 121 |
| Fascículo | 3 |
| Páginas | 509 |
| Data de publicação | 2001-07-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of the American Oriental Society (JOURNAL) |
| Identificadores do periódico | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Editora | JSTOR (PUBLISHER) |
| DOI | 10.2307/606694 |
| OpenAlex | W2064439312 |
| Idioma | EN |
| Citações recebidas | 11 |
Arguing for the political rather than purely aesthetic basis for Yan Zhenqing's (709-785) reputation in Chinese calligraphy, the text posits that it was due to a handful of influential and well-educated men in the 11th century, who sought advancement by associating themselves with Yans' reputation
Art · Brush · Calligraphy · Painting · Political science · Politics · Visual arts · Chinese history and philosophy · Engineering · History · Law · Mechanical Engineering
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| Obras citantes distintas | 11 |
|---|---|
| Citações por ano | 0,65 |
| Intervalo de citações | 2009 - 2025 (17) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 5 |