Principles of Composition in Hindu Sculpture
Cave Temple Period
Bibliographic Data
| ID | 3967094 |
|---|---|
| Authors | H Goetz, Alice Boner |
| Year | 1964 |
| Volume | 84 |
| Issue | 2 |
| Pages | 198 |
| Publication date | 1964-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the American Oriental Society (JOURNAL) |
| Journal identifiers | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/597122 |
| OpenAlex | W2022457079 |
| Language | EN |
| Citations received | 3 |
It deals with premedival sculpture concentrating exclusively on the question of composition have resulted from a careful analysis of the great sculpture of the Rock-Temples at Elura, Badami Mahabalipuram and others of the pre-medival period of the Rastrakuta, Calukya and Pallava Schools
Aesthetics · Ancient history · Archaeology · Art · Biblical studies · Cave · Composition (language) · Hinduism · Literature · Period (music) · Sculpture · Second Temple period · Temple · Theology · Historical and Architectural Studies · History · Indian and Buddhist Studies · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,06 |
| Citation span | 1975 - 2002 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |