A Song for One or Two
Music and the Concept of Art in Early China
Bibliographic Data
| ID | 3967667 |
|---|---|
| Authors | Ann Barrott Wicks, Kenneth J Dewoskin |
| Year | 1983 |
| Volume | 103 |
| Issue | 3 |
| Pages | 641 |
| Publication date | 1983-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the American Oriental Society (JOURNAL) |
| Journal identifiers | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/602057 |
| OpenAlex | W1987831702 |
| Language | EN |
| Citations received | 35 |
This study of theories of music and art in China from the classical period to the Six Dynasties is based on analysis and interpretation of textual and archaeological evidence. Its wide-ranging sources include mythology, aesthetic philosophy, musical lore, and notation systems. The evolution of theories of music and art is considered in the context of cosmological and moral philosophy
Archaeology · Art · China · Literature · Visual arts · Chinese history and philosophy · History
Features of Poetics and Musical Conception of “Fu on the Panpipes” by Wang Bao (I Century BC)
“Ode to Dance” by Fu Wuzhong (I Century A.D.)
Sounding the Ineffable
Performing Patterns
Can George dance? Biosemiotics and human exceptionalism with a lyrebird in the viewfinder
Meaning and structure - the case of Chineseqin(zither) music
Aesthetic considerations in understanding Chinese literati musical behaviour
Insidious syncretism in the political philosophy of Huai‐nan‐tzu 1
Chimes of Empire
Harmony, Sacrifice, and Agamben’s Messianic Time
Echoing Rulership—understanding Musical References in the Huainanzi
Aural Archetypes and Cyclic Perspectives in the Work of John Coltrane and Ancient Chinese Music Theory
Mind and Eyes
Rectifying Lasciviousness through Mystical Learning
The Sonic Dimensions of Nationalism in Modern China
Getting Scientists and Ethnomusicologists to Work Together
Consilience Revisited
"Symbolic Rhetoric and the Struggle for Meaning
Sizhu instrumental music of South China ethos, theory and practice
Musical Thought in the Zhuangzi
(Un)consciousness? Music in the Daoist context of nonbeing
A Measure of Man in Early China
Music education in China
Xunzi on Music
Music as Propaganda
Textual Authority in Pre-Han and Han
Shi Jing Songs as Performance Texts
City Gods, Filiality, and Hegemony in Late Imperial China
Xunzi in the Light of the Guodian Manuscripts
The sounds of modernity in Chinese pop music
Manuscript Culture in Late Western Han, and the Implications for Authors and Authority
The Cosmic Power of Sound in the Late Warring States and Han Periods
Authorship and Cultural Identity in Early Greece and China
Social Organization in South China, 1911–1949
Pathos reconsidered from the perspective of classical Chinese rhetorical theories
| Unique citing works | 35 |
|---|---|
| Citations per year | 0,81 |
| Citation span | 1983 - 2021 (39) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 18 |