The Chinese Theatre in Modern Times
From 1840 to the Present Day
Bibliographic Data
| ID | 3968228 |
|---|---|
| Authors | Dale Johnson (0000-0002-9726-6539), Dale R Johnson, Colin Mackerras |
| Year | 1979 |
| Volume | 99 |
| Issue | 3 |
| Pages | 492 |
| Publication date | 1979-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the American Oriental Society (JOURNAL) |
| Journal identifiers | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/602419 |
| OpenAlex | W2068355721 |
| Language | EN |
| Citations received | 13 |
Ethnic Identities and Cultural Capital
Act Like Jackie Chan
Moral conflicts reflected in the love stories of Jingju
Chinese ritual music under Mao and Deng
Scholar from Bashan County
Theatre and the Taipings
The succession to Mao and the end of Maoism
The Chinese state in crisis
China confronts the Soviet Union
Literature under communism
Music as Propaganda
A Ópera De Pequim Dos Primeiros 17 Anos Da Revolução Chinesa (1949–1966)
Mao's Cultural Army
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,26 |
| Citation span | 1976 - 2023 (48) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 7 |