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Dwelling in the Virtual Sonic Environment

A Phenomenological Analysis of Dancers' Learning Processes

Bibliographic Data

ID3969580
AuthorsJaana Parviainen (0000-0002-7838-592X, Tampere University, corresponding author)
Year2011
Volume16
Issue5
Pages633-647
Publication date2011-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe European Legacy (JOURNAL)
Journal identifiersISSN: 1084-8770 • E-ISSN: 1470-1316
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10848770.2011.599556
OpenAlexW2106952794
LanguageEN
Citations received4

This article discusses the Embodied Generative Music (EGM) project carried out at the Institute of Electronic Music and Acoustics IEM in Austria. In investigating a new interface that combines motion capture and sound processing software with movement improvisation and performance, I focus on dancers’ learning processes of dwelling in the virtual sonic environment. Applying phenomenology and its concepts, I describe how dancers explore reversibility of sound and movement to shape this connection in an artistically expressive manner. The article proposes that dancers build bodily knowledge through both the sonic environment and their own passive and active, intuitive and deliberate, movement choices. While dwelling in a digital environment changes dancers’ habitual manners of behaving, it opens up to them new kinds of kinaesthetic opportunities of intimacy and pleasure in motion. The findings from this research reveal the importance of bodily interaction with virtual environments in developing new movement-based interfaces

Aesthetics · Art · Cognitive science · Embodied cognition · Epistemology · Generative grammar · Gesture · Human–computer interaction · Improvisation · Motion Capture · Pleasure · Visual arts · Computer Science · Diversity and Impact of Dance · Human Motion and Animation · Music Technology and Sound Studies · Psychology · Artificial Intelligence

  • Improvising with digital touch

    Open Access•Katherine Rees•Multimodality & Society•2022

  • Sonic Space and Echoes of the Flesh

    Alison Walker•Music, Sound, and the Moving Image•2020

  • Making the body all ears

    Maria Kapsali•International Journal of…•2017

  • Haptic Illusions and Imagined Agency

    Deniz Peters•Contemporary Music Review•2013

Unique citing works4
Citations per year0,31
Citation span2013 - 2022 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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