Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Improvisation and Hybrid Genres

ReadingChilde Harold's Pilgrimage

Bibliographic Data

ID3970846
AuthorsBernard Beatty (University of Liverpool and University of St Andrews, UK, corresponding author)
Year2019
Volume24
Issue3-4
Pages264-282
Publication date2019-05-19
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe European Legacy (JOURNAL)
Journal identifiersISSN: 1084-8770 • E-ISSN: 1470-1316
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10848770.2019.1572348
OpenAlexW2912854123
LanguageEN
Citations received1
References cited11

In the first section I ask two questions: what sort of a poem is Childe Harold’s Pilgrimage, and what is the immediate experience of reading it in sequence? These two questions are the practical equivalents of the main terms of my title. I try to answer them by reconstructing a first reading of the poem in the light of my own experience and the imagined one of the first readers of the poem. I suggest that two terms—accretion and elimination—are helpful here and that, in some ways, the structure and sequential experiencing of the poem resemble the structures of extended nineteenth-century musical forms. In the second section, I reverse perspective and take a position at the end of the poem. From such a point, it is easier to find what the poem has included and eliminated and this, in turn, suggests the kind of poem that it is. In the third section I tackle the terms “improvisation” and “hybrid genres” directly, link them with my earlier arguments, and engage with some theorists, especially Bakhtin. In particular, I argue against the view that Childe Harold’s Pilgrimage dissolves genre but argue that genres are nevertheless “open categories.” My conclusion is less definite. I confess to difficulties that still bother me

Art · Improvisation · Linguistics · Literature · Pilgrimage · Poetry · Theology · Visual arts · Computer Science · Historical Studies of British Isles · Medieval Literature and History · Philosophy · Reformation and Early Modern Christianity

  • The “Harold Theme” as a Byronic Microcosm

    Open Access•Lola Abs Osta•Humanities•2025

  • Lord Byron

    Leslie A Marchand, George Gordon Noel Byron et al.•The complete poetical works•1980

  • Lord Byron

    sixth Bar Byron George Gordon Noel Byron, Jerome J Mcgann•Lord Byron: The Complete Poetical…•1993

  • The Letters of Percy Bysshe Shelley, Vol. 1: Shelley in England

    Percy Bysshe Shelley, Frederick L Jones•Letters of Percy Bysshe Shelley :…•1964

  • Shelley at the Opera

    Ronald Tetreault•ELH•1981

  • Byron and Place

    Open Access•Stephen Cheeke•Byron and Place•2003

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae