Leonardo Bruni and the Poetics of Sovereignty

Leonardo Bruni’s well-known oration, the Laudatio Florentinae urbis, has long stood at the center of discussions on the emergence of the modern republican state. Recent historiographical trends have emphasized the degree to which Bruni’s oration represents a propagandistic attempt both to portray Florence as a territorial power of Northern Italy keen to impose its sovereign authority on neighboring polities and as a republic intent on fashioning an image of itself as a popular sovereignty. It is in this second element of Bruni’s oration that we can discover his rhetorical purposes: he needed to give a distorted image of Florence as enjoying “popular” rule precisely because Florence was in fact moving in the opposite direction towards a more oligarchic concentration of political authority. The essay investigates the changes contemplated in revisions to Florence’s juridical codes at precisely the time of the oration’s composition, suggesting that when these two sources are juxtaposed, Bruni’s oration appears as a strongly ideological literary work the rhetorical gestures of which camouflage the actual historical and legal developments of Florence’s political life in the early fifteenth century

Art · Fifteenth · Historiography · Ideology · Literature · Poetics · Poetry · Political science · Politics · Rhetoric · Rhetorical question · Sociology · Sovereignty · Theology · Classics · Historical Influence and Diplomacy · History · Law · Philosophy · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies

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  Open Access•Roni Strier, Richard Strier•Renaissance and Reformation•2024

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