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A spirit of strange meaning

The Chinese Roots of Wordsworth's Monism inThe Ruined Cottage

Bibliographic Data

ID3971698
AuthorsYu Liu (0000-0002-0016-2902, Niagara County Community College, Sanborn, New York 14132–9460, USA, corresponding author)
Year2023
Volume28
Issue2
Pages155-172
Publication date2023-02-17
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe European Legacy (JOURNAL)
Journal identifiersISSN: 1084-8770 • E-ISSN: 1470-1316
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10848770.2022.2136121
OpenAlexW4311133804
LanguageEN
Citations received1
References cited18

In both his life and poetry, The Ruined Cottage marked a decisive breakthrough for Wordsworth, which resulted from his daring adoption and sustained use of a monistic idea. Though hitherto mostly dismissed or construed as a derivative of Platonism, Stoicism, Christian mysticism, and/or other conventional English and European concepts and usually seen as part of his supposedly quietist retreat from radical politics, the philosophy of One Life which Wordsworth promoted was in reality a recognizably unconventional conceptual innovation, which indeed made possible his poetic and political innovations in The Ruined Cottage and beyond. In the larger context of ideas that extends well beyond England and Europe and involves in particular the Chinese cosmological belief in tianren heyi or humanity’s unity with heaven, this essay explores Wordsworth’s innovative use of monism in The Ruined Cottage and argues for a significantly different understanding of Wordsworth and the related rise of English Romanticism

Aesthetics · Art · Epistemology · Heaven · Humanity · Literature · Monism · Mysticism · Poetry · Politics · Theology · Chinese history and philosophy · History · Japanese History and Culture · Law · Philosophy · Travel Writing and Literature

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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