Where's Elvis and Trump? Where's Godzilla and Gaga? Where's Bowie and Beyoncé? Popular cultures in Social and Cultural Geography, 2000-2020
Bibliographic Data
| ID | 3978035 |
|---|---|
| Authors | John Horton (0000-0002-2956-2264, corresponding author) |
| Year | 2019 |
| Volume | 20 |
| Issue | 2 |
| Pages | 265-274 |
| Publication date | 2019-02-12 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social & Cultural Geography (JOURNAL) |
| Journal identifiers | ISSN: 1464-9365 • E-ISSN: 1470-1197 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14649365.2018.1559346 |
| OpenAlex | W2905632851 |
| Language | EN |
| Citations received | 13 |
| References cited | 59 |
Where's Elvis and Trump?Where's Godzilla and Gaga?Where's Bowie and Beyoncé?Popular cultures in Social and Cultural Geography, 2000-2020 This provocation considers engagements with popular and media cultures in Social and Cultural Geography.I celebrate the journal's major achievement in creating a space for substantial empirical-theoretical consideration of popular and media cultures, notably via sustained work on popular geopolitics, postcolonial cultures, and subcultural scenes.However, I also note the absence of so many iconic figures and forms of popular culture.In short: where are Elvis, Trump, Aretha, Godzilla, Gaga, Bowie, Beyoncé, Micky Mouse, Father Christmas and countless others, and how might we understand their absence from the journal?I argue that engagements with popular and media cultures in Social and Cultural Geography have been weirdly coy, time-lagged and uneven.I call for more scholarship attuned to, and alive with, these affecting, life-changing, identity-defining, power-laden geographies. Preface: searching for popular cultures in Social and Cultural Geography, 2000-2020Try this game.It has occupied, entertained and challenged me for hours while writing this essay.Step 1: Think of an iconic piece of popular culture.Perhaps a song, movie, television show, game, meme, character, technology, event, genre, scene, subculture, artist, artwork, social network, performer or celebrity.Perhaps something that matters to you.Perhaps something of life-changing, identity-defining, zeitgeist-shifting importance for many people, past or present, for better or worse.Step 2: Go to the Social and Cultural Geography homepage and search for this thing, anywhere in the journal, from issue 1 to present, and see how many times it has been mentioned.I wager that the answer will be 'none' or 'maybe once, but it is only a slight, momentary, glancing mention amid a discussion of something else
Media studies · Popular culture · Sociology · Culinary Culture and Tourism · Geographies of human-animal interactions · Media, Gender, and Advertising
Digital geographies of/and childhood and youth
Popular music and iconic artists in contemporary geographical analyses in higher education—learning and understanding tourism geographies through Céline Dion’s music and travel
Some popular cultural geographies, starring Cyrille Regis, Delia Derbyshire, an Ewok, Mickey Mouse, Napalm Death, the Sylvanian families, and anonymous hate mail
‘Standing still … in a moving place’ – reassessing lyrics and the spaces they construct through the musical landscapes of The Blue Nile
Instagram photography and the geography field course
Radio and the anti-geopolitical ear
SpendYourSummerInGeorgia
The power of representations to affect and effect
Genealogical Journeys, Geographical Imagination, and (Popular) Geopolitics in Who Do You Think You Are
(Em)placing the popular in Cultural Geography
Practicing community and sociality in public
Children and Young People's Experiences and Understandings of Gambling-Style Systems in Digital Games
Cultures of Covid-19
Popular Geopolitics 2.0
The Geopolitical Audience
For the love of cuddly toys
The spectacle of the poor. Or
Progress in Human Geography
Capital of Culture—you must be having a laugh!’ Challenging the official rhetoric of Liverpool as the 2008 European cultural capital
Narrating urban assemblages—Chris Ware and Building Stories
Captain Canuck , audience response, and the project of Canadian nationalism
Geopolitical assemblages and complexity
Global cultural flows and the routes of identity
Set appeal
Recorded music and practices of remembering
Zombie geographies and the undead city
Mediated animal geographies
Rematerializing social and cultural geography
Club Carib
Engaging with place
Autistic culture online
This is disco-wonderland!' Gender, sexuality and the limits of gay domesticity onThe Block
It's only as stupid as you are
Lesbian community' in Women's National Basketball Association (WNBA) spaces
Love your neighbor
Fictional journeys
Playing war
Readers-in-conversations
Lost in Thailand
Playing with the future
Vernacular culture and the place of folk music
Vulgar geographies? Popular cultural geographies and technology
Drinking in the dark
We are the boys from the Black Country'! (Re)Imagining local, regional and spectator identities through fandom at Walsall Football Club
Performing Guangzhou and Guangzhou Ren
Cartoon controversies and geopolitics
Gone 'underground'? Lesbian visibility and the consolidation of queer space in Montréal
Publicising private lives
Rethinking music geography through the mainstream
The representation of Mongolia in contemporary travel writing
Analysing virtual landscapes using postmemory
Warped by the field
Geopolitical television at the (b)order
Placing the 'mad woman
Incredible geographies? Orientalism and Genre Fantasy
Walking & talking
Identity and geopolitics in Hergé'sAdventures of Tintin
Trance and visibility at dawn
Creating citizens through play
Miniaturisation and the representation of military geographies in recreational wargaming
Normalizing urban inequality
Dirty dancing
Parenting gone wired
Imaginative geographies of distant suffering
The best thing ever
Young men's violence and spaces of addiction
White migrant masculinities in Thailand and the paradoxes of Western privilege
The digital subversion of urban space
White skin, black heart? 1 The politics of belonging and Native Title in Australia
Cinema-going during the Gezi protests
Using cultural geography to engage contested constructions of ethnicity and citizenship in Sydney
| Unique citing works | 13 |
|---|---|
| Citations per year | 1,86 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 12 |