Interfacing as embodied practice
Journeys Between Print, Screen and Beyond
Bibliographic Data
| ID | 3978137 |
|---|---|
| Authors | George Revill (0000-0002-7004-4960, The Open University, corresponding author), Jan Van Duppen (0000-0001-9917-3670, Alexander von Humboldt Foundation Research Fellow, GeoGender Lab Department of Geography Humboldt-Universität zu Berlin, Unter den Linden 6, Berlin, Germany), Caroline Scarles (0000-0001-8279-3689, University of Surrey) |
| Year | 2024 |
| Volume | 25 |
| Issue | 8 |
| Pages | 1331-1349 |
| Publication date | 2024-09-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Social & Cultural Geography (JOURNAL) |
| Journal identifiers | ISSN: 1464-9365 • E-ISSN: 1470-1197 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14649365.2024.2308916 |
| OpenAlex | W4391446731 |
| Language | EN |
| References cited | 28 |
This paper develops a concept of interfacing as a heterogeneous zone of interaction, a relational space created by users as they bring together interact with and draw on a range of digital and analogue materials, sources and technologies. It examines the ways tourists and travellers access, engage, use, transfer and blend multiple media sources drawing across both analogue and digital sources as they plan, execute and reflect on the trips and visits they make. It derives from a series of in depth ‘show and tell’ style interviews with 18 participants recruited in the UK. It contributes to the growing literature on digital geographies by exploring the relational spatiality by which individuals build interfacing activities around specific tasks and experiences as heterogeneous and contingent socio-material spaces. It develops a conception of interfacing around two interrelated and iterative sets of embodied practices. These are firstly, assembling and mobilising and secondly intermediating and sense making. Using this twin conception of interfacing as an active making, the paper discusses how and where a conception of interfacing as embodied practice might contribute to understandings of human digital relationships within complex poly media situations and environments
Aesthetics · Art · Embodied cognition · Interfacing · Media studies · Sociology · Visual arts · Computer Science · Cultural Industries and Urban Development · Digital Games and Media · Innovative Human-Technology Interaction · Artificial Intelligence
Interface
Photography and voice in critical qualitative management research
Polymedia and Ethnography
Polymedia
The interface envelope
An Introduction to Visual Research Methods in Tourism
New Philosophy for New Media
Reflections on the use of object elicitation
Posthumanist Performativity
Rethinking Convergence/Culture
Talking about pictures
Positionality, post-phenomenology, and the politics of theory
Where words fail, visuals ignite
Elicitation Techniques
Rethinking the geographies of cultural ‘objects’ through digital technologies
Geography and post-phenomenology
Post‐phenomenology and space
Feeling through the screen
Materializing New Media Embodiment in Information Aesthetics
The Pop-Up Stall
My Whole Life in Telephones
Unit, vibration, tone
| Citation velocity | historical |
|---|---|
| Highly cited | No |