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Traces of the Deleuzian nomad inHope and Other Dangerous Pursuits

Bibliographic Data

ID3978489
AuthorsSoudeh Oladi (0000-0002-5177-1281, Ontario Institute for the Studies in Education, University of Toronto, Toronto, Canada, corresponding author), John Portelli (Ontario Institute for the Studies in Education, University of Toronto, Toronto, Canada), John P Portelli (University of Toronto)
Year2017
Volume22
Issue4
Pages665-678
Publication date2017-08-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of North African Studies (JOURNAL)
Journal identifiersISSN: 1362-9387 • E-ISSN: 1743-9345
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2017.1296358
OpenAlexW2725948956
LanguageEN
Citations received3
References cited20

In a Deleuzian-inspired deconstruction of identity, home, and subjectivity, the authors explore the cultivation of the self in Laila Lalami’s Hope and Other Dangerous Pursuits. Beneath the struggle for subjectivity and identity, there exists a discourse of survival that creates an image of the immigrant as the wandering and uncertain citizen. In this context, traces of the Deleuzian nomad are identified and explored in Lalami’s characters. These individuals embody qualities attributed to nomads by continuously disrupting different manifestations of fixity in their lives through various forms of resistance. For the characters in Hope and Other Dangerous Pursuits, possibilities for connection are visible in their struggle to disrupt the perception of a fixed identity. The tapestry of identities created reveals a nomadic potential that interrupts linear notions of being. The consequent creative force enables identities to be negotiated in an in-between space that is decentred and thrives in the realm of unpredictability

Aesthetics · Context (archaeology · Deconstruction (building · Epistemology · Identity (music · Political science · Realm · Resistance (ecology · Sociology · Subjectivity · Anthropological Studies and Insights · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · South Asian Cinema and Culture

  • Lalami’s Anomic World

    Open Access•Mais Qutami•World Journal of English Language•2023

  • From passage to suspension

    Abdellatif El Aidi•African Identities•2026

  • Biopolitics and the emergent self-reflexive Maghribi subjectivity in Laila Lalami'sHope and Other Dangerous Pursuits

    Fouad Mami•The Journal of North African…•2019

  • The Figure of the Migrant

    Thomas Nail•Figure of the Migrant•2020

  • The Deleuze Connections

    John Rajchman•The Deleuze Connections•2000

  • Selections from the Prison Notebooks

    Open Access•Antonio Gramsci•On Violence•2020

  • Nomadic subjects

    R Braidotti, M Eagleton et al.•Choice Reviews Online•1995

  • The Rise of the Survival Discourse in an Era of Therapisation and Neoliberalism

    Open Access•K Brunila•Education Inquiry•2014

  • The dislocation of ‘home’ in the writings of Laila Lalami

    Abdellah El Boubekri•Journal of Multicultural Discourses•2014

  • Violence at the Borders

    Thomas Nail, Philosophy Documentation Center•Radical Philosophy Review•2012

  • Anti-Oedipus

    Félix Guattari, Gilles Deleuze•Anti-Oedipus•1983

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • The Postidentitarian Predicament in the Footnotes of A Thousand Plateaus

    Christopher L Miller•diacritics•1993

  • Political power beyond the State

    Nikolas Rose, Peter Miller•British Journal of Sociology•1992

  • The deterritorialised self in Laila Lalami'sHope and Other Dangerous Pursuits

    Rima Abunasser•The Journal of North African…•2016

  • Illegal' crossing, historical memory and postcolonial agency in Laila Lalami'sHope and other dangerous pursuits

    Ahmed Idrissi Alami•The Journal of North African…•2012

  • You Just Belong to Us

    Open Access•Anahi Viladrich•Culture Studies ↔ Critical…•2005

Unique citing works3
Citations per year0,43
Citation span2019 - 2026 (8)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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