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Colonial statues and their afterlives

Bibliographic Data

ID3978729
AuthorsZeynep Çelik (0000-0001-7941-9880, New Jersey Institute of Technology, corresponding author)
Year2020
Volume25
Issue5
Pages711-726
Publication date2020-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of North African Studies (JOURNAL)
Journal identifiersISSN: 1362-9387 • E-ISSN: 1743-9345
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2019.1644897
OpenAlexW2968295064
LanguageEN
Citations received8
References cited6

Statumania invaded Algeria after the 1840s, and later affected Tunisia. Through an art form that contradicted local values, it conveyed charged messages about colonialism and its various missions. Statues of French military, civilian, and religious actors who had served the colonial project in one way of other appeared in the public spaces of cities ranging from Algiers to Tunis, Tlemcen, and Sfax. Focusing on four case studies, this paper traces the history of these statues from the colonial era to the present day. I show how Algerians and Tunisians struggled to deal with their memories of French rule by highlighting three practices applied to the statues: erasure, substitution, and manipulation. I argue that colonial statues were resilient markers of memory and obstinate survivors, imbued with a curious flexibility to take on and reflect different agendas according to changing circumstances. Their ability to express and manoeuver collective memory is associated with the concept of lieu de mémoire, albeit as a highly dynamic notion

Archaeology · Collective memory · Colonialism · Erasure · Ethnology · Flexibility (engineering · Genealogy · Political science · African history and culture studies · Computer Science · Historical Studies and Socio-cultural Analysis · History · Law · North African History and Literature

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Unique citing works8
Citations per year2
Citation span2022 - 2026 (5)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 8

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