Francophone voices of the 'new' Morocco in film and print
(Re)presenting a Society in Transition
Bibliographic Data
| ID | 3979345 |
|---|---|
| Authors | Brian T Edwards (Northwestern University, corresponding author) |
| Year | 2011 |
| Volume | 16 |
| Issue | 3 |
| Pages | 493-496 |
| Publication date | 2011-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Journal of North African Studies (JOURNAL) |
| Journal identifiers | ISSN: 1362-9387 • E-ISSN: 1743-9345 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13629387.2010.500164 |
| OpenAlex | W2001732527 |
| Language | EN |
| Citations received | 11 |
| References cited | 2 |
Francophone voices of the ‘new’ Morocco in film and print: (re)presenting a society in transition, by Valerie K. Orlando, New York, NY, Palgrave Macmillan, 2009, xxii and 262 pp., 4 illustrations
Art · Art history · French · Humanities · Media studies · Political science · Sociology · Transition (genetics · African history and culture studies · History · North African History and Literature · Political and Social Issues
Breaking the Silence
“Crier dans le désert”
The Absolutist Monarch in Taïa's Le Jour du Roi and Laroui's “Tu n'as rien compris à Hassan II”
From Casablanca to Casanegra
The Novel in Morocco as Mirror of a Changing Society
Orientation textuelle et écriture du je dans L’Enfant ébloui de Rachid O
Clandestine Emigration as Twenty-First Century Meme in the Roman Maghrébin
The aesthetics and politics of 'reading together' Moroccan novels in Arabic and French
Writing the self' as narrative of resistance
Being-in-the-world
Women, madness, myth and film
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,85 |
| Citation span | 2013 - 2018 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 11 |