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No man is an island

Globalisation and resilience in the Fezzillījtradition

Bibliographic Data

ID3979584
AuthorsAnn Shafer (Department of the History of Art and Visual Culture, Rhode Island School of Design, Providence, RI, USA, corresponding author)
Year2019
Volume24
Issue5
Pages758-785
Publication date2019-09-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of North African Studies (JOURNAL)
Journal identifiersISSN: 1362-9387 • E-ISSN: 1743-9345
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2018.1483877
OpenAlexW2807940128
LanguageEN
References cited25

This paper examines the ‘island’ construct by focusing on one case study of cultural production: zillīj tile work in Morocco. This artisanal craft form is a hallmark of Moroccan identity, yet also remains fervently appropriated by the outside world. The goal here is to flush out the complex and often competing forces in such a dynamic. Through interviews with craftsmen and a critical assessment of issues related to expertise and production, we learn that in Morocco this art form is situated in ever-widening zones of influence and investment, from a nucleus of daily production-related practices, to the professional tensions in local and regional politics, to the global presentation of zillīj as Islamic cultural heritage. It is not until we test the assumptions and realities of the relationship between craft and religion, however, that we begin to differentiate the globalised rhetoric from a strong core of local resilience

Aesthetics · Archaeology · Art · Construct (python library · Craft · Geography · Globalization · Identity (music · Political science · Resilience (materials science · Sociology · Crafts, Textile, and Design · Cultural Identity and Heritage · Cultural Industries and Urban Development · Law

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Citation velocityhistorical
Highly citedNo

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