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Further research on 'Timawayin' from central Morocco

Bibliographic Data

ID3979682
AuthorsMichael Peyron (Université Moulay Ismail de Meknes, corresponding author)
Year1997
Volume2
Issue1
Pages72-80
Publication date1997-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of North African Studies (JOURNAL)
Journal identifiersISSN: 1362-9387 • E-ISSN: 1743-9345
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629389708718289
OpenAlexW2115224385
LanguageEN
References cited1

Middle‐Atlas Berbers have a remarkable fund of oral lore in which love poetry, giving rise to song and dance, occupies pride of place. Possibly the most interesting, though surprisingly little‐known genre, is the tamawayt, or Imayt, a high‐pitched lament heard at harvest time, or at the start of some musical entertainment. Practitioners of this noble art require great vocal skill, an intimate knowledge of various poetic devices, not to mention a thorough command of archaic terms in Tamazight. Although the genre has undergone transformation in recent times, it remains one of the more remarkable cultural traits of the Imazighen of central Morocco

Art · Dance · Entertainment · Lament · Literature · Musical · Poetry · Political science · Pride · Visual arts · African Studies and Geopolitics · History · Language, Linguistics, Cultural Analysis · Law · Multiculturalism, Politics, Migration, Gender

Citation velocityhistorical
Highly citedNo
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