A son de clave
La dimensión afrodiaspórica de la puertorriqueñidad en la música popular, 1929-1940
Bibliographic Data
| ID | 3979750 |
|---|---|
| Authors | Hugo René Viera-Vargas (corresponding author) |
| Year | 2017 |
| Volume | 38 |
| Issue | 1 |
| Pages | 57-82 |
| Publication date | 2017-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr38103 |
| OpenAlex | W2617802956 |
| Language | EN |
| References cited | 13 |
The article, which opens with a brief discussion of the relationships among music, identity, and the Caribbean as a musical region, uses the music collection of John Alden Mason (1914–1915) to illustrate the development of the sociomusical interactions between Puerto Rico and Cuba before the emergence of the music industry on both islands. In addition, it shows—through the examination of the music recorded in Puerto Rico and New York between 1910 and 1941—the gradual Afro-Cubanization of the Puerto Rican musical repertoire. Finally, the article proposes that the appropriation and adaptation of Afro-Cuban music during the first decades of the twentieth century was not simply a passive imitation but an expression through popular music of the Afro-diasporic dimension of the identity of the popular sectors in Puerto Rico
Aesthetics · Appropriation · Art · Ethnology · Humanities · Imitation · Linguistics · Literature · Musical · Popular music · Repertoire · Sociology · Anthropology · Caribbean history, culture, and politics · Cuban History and Society · History · Latin American and Latino Studies · Philosophy · Psychology · Social Psychology
The black Atlantic
My Music Is My Flag
La isla que se repite. El Caribe y la perspectiva posmoderna
Insularismo. Ensayos de interpretación puertorriqueña
Cuerpo y cultura
Black Music in the Circum-Caribbean
Belonging and detachment
Musica y descolonizacion
Feeling Diaspora in Harlem and Havana
Imagined Communities. Reflections on the Origin and Spread of Nationalism
Puerto Rican Music and Cultural Identity
Unfinished Migrations
Globalization and Appropriation in Latin American Popular Music
| Highly cited | No |
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