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Danzar para que el mundo no se acabe. Estudio sistemático de la danza rarámuri

Bibliographic Data

ID3979917
AuthorsÁngel Acuña Delgado (0000-0002-9218-2838, corresponding author)
Year2012
Volume33
Issue1
Pages27-64
Publication date2012-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLatin American Music Review (JOURNAL)
Journal identifiersISSN: 0163-0350 • E-ISSN: 1536-0199
PublisherProject MUSE (PUBLISHER • US)
DOI10.7560/lamr33102
OpenAlexW1537353912
LanguageES
Citations received3
References cited2

The diversity of their dance is one of the principal sources of cultural expression for the Rarámuri, residents of the Tarahumara mountains in northern Mexico. Supported by a review of relevant literature and based on information obtained during eleven months of fieldwork between 2001 and 2005, this article offers a panoramic view of the ethnographic context that surrounds different dances, including musical accompaniment, that contextualizes the diversity of meaning that these dances present. The analysis allows us to think about the roles preserved by cultural manifestations, such as Rarámuri dance and music. Rather than simple diversions, they constitute a way of thinking and acting in the world aimed at preventing its end

Archaeology · Art · Dance · Ethnography · Geography · Humanities · Musical · Musical expression · Sociology · Visual arts · Anthropology · Culinary Culture and Tourism · History · Indigenous Cultures and History · Indigenous Cultures and Socio-Education · Psychology

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Unique citing works3
Citations per year0,5
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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