Beyond the Border
Meaning and Authenticity in the Adoption of Texas-Mexican Conjunto Music by International Artists
Bibliographic Data
| ID | 3979987 |
|---|---|
| Authors | Erin E Bauer (corresponding author), Erin Bauer |
| Year | 2016 |
| Volume | 37 |
| Issue | 1 |
| Pages | 34-64 |
| Publication date | 2016-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr37102 |
| OpenAlex | W2411594419 |
| Language | EN |
| Citations received | 2 |
| References cited | 9 |
Since the 1990s, Texas-Mexican conjunto music has been adopted around the world, raising contemporary considerations of sociological significance in newly widespread musical repertories. In an increasingly postnational world, regional cultural commodities and notions of musical authenticity are no longer confined to an individual race, class, language, or location. For international conjunto musicians, the ability to create an individual identity based on common stylistic heritages, socioeconomic backgrounds, imagined familial connections, and aesthetic attraction demonstrates that popular music can serve to rearticulate a sense of belonging for musicians that is accessible only through new forms of electronic dissemination
Aesthetics · Art · Musical · Sociology · Visual arts · Cultural Industries and Urban Development · Diverse Musicological Studies · Gender Studies · History · Music History and Culture · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |