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E fez-se o samba

Condicionantes intelectuais da música popular no Brasil

Bibliographic Data

ID3980205
AuthorsDmitri Cerboncini Fernandes (0000-0002-4584-8625, corresponding author)
Year2011
Volume32
Issue1
Pages39-58
Publication date2011-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLatin American Music Review (JOURNAL)
Journal identifiersISSN: 0163-0350 • E-ISSN: 1536-0199
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/lat.2011.0013
OpenAlexW1635729933
LanguageEN
Citations received2
References cited2

In this article I analyze the process of the legitimization of samba in Rio de Janeiro during the period between 1910 and 1930. During this time of the institutionalization of a popular artistic field, the actions of specific agents competed to symbolically demarcate what would later be considered a musical genre. Among these actions, I call attention specifically to the work of two diverse groups of intellectuals whose efforts were of great importance for the recognition and the introduction of samba in the cases of musical reproduction and appreciation in high culture. I seek also to understand the tensions which developed between certain agents linked to the nascent musical genre with respect to the advancement of the process of commodification of artistic production. As such I aim to illuminate one of the possible "levers" that contributed to the shaping of the Brazilian national popular ideology in the arts

Aesthetics · Art · Commodification · Humanities · Ideology · Institutionalisation · Musical · Political science · Politics · Reproduction · Sociology · The arts · Visual arts · Arts and Performance Studies · Brazilian cultural history and politics · Law · Literature, Culture, and Criticism

  • Os maestros do verbo

    Open Access•Dmitri Cerboncini Fernandes•Sociologias•2012

  • A cidade temperou a alma do morro

    Open Access•Lucas André Gasparotto•Estudos Ibero-Americanos•2022

  • The Social History of the Brazilian Samba

    Lisa Shaw•Social History of the Brazilian…•2019

  • Desde que o samba é samba

    Open Access•Marcos Napolitano, Maria Clara Wasserman•Revista Brasileira de História•2000

Unique citing works2
Citations per year0,14
Citation span2012 - 2022 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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