A Genealogy of Video
Bibliographic Data
| ID | 3980830 |
|---|---|
| Authors | Paul Ryan (0000-0003-0770-2737, corresponding author) |
| Year | 1988 |
| Volume | 21 |
| Issue | 1 |
| Pages | 39 |
| Publication date | 1988-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1578414 |
| OpenAlex | W2321314758 |
| Language | EN |
| Citations received | 6 |
| References cited | 1 |
The author discusses the struggle that took place in New York City between 1968 and 1971 over whether video would be considered a tool of social change or a medium of art. The struggle is traced in terms of six dimensions: technological, theoretical, political, institutional, economic and cultural. The author’s position is that video mutated from a countercultural gesture to an art genre. The question asked is how this genre will articulate its own genealogy
Art · Genealogy · Cinema and Media Studies · History · Media Influence and Health · Media, Gender, and Advertising
A Sequence of Video-to-Video Installations Illustrating the Together/Separate Principle, with Reference to Two-Way Interactive Cable TV Systems
Wilderness as Reentrant Form
Video between Architecture and Telepathy
Cybernetic Guerrilla Warfare Revisited
From Video Replay to the Relational Circuit to Threeing
Feminism (s)/Postmodernism (s)
| Citations per year | 0.16 |
|---|---|
| Citation span | 1988 - 2023 (36) |
| Highly cited | No |