Touch-Sensitivity and Other Forms of Subversion
Interactive Artwork
Bibliographic Data
| ID | 3980876 |
|---|---|
| Authors | Lynn Hershman (corresponding author) |
| Year | 1993 |
| Volume | 26 |
| Issue | 5 |
| Pages | 431 |
| Publication date | 1993-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576040 |
| OpenAlex | W2329684118 |
| Language | EN |
| Citations received | 3 |
| References cited | 2 |
The author explores the convergence of art and delivery systems, and how they have subversively commingled to form a “new reality.” The resulting interactive electronic multimedia network not only depends upon viewer response, but often requires participants to be electronically disguised in order to be recognized in virtual systems. The potential of these new media has empowered individuals to not only make intimate contact with technology, but to participate meaningfully in the ensuing dialogue. The author also chronicles her interactive works
Aesthetics · Art · Computer graphics (images) · Human–computer interaction · Political science · Sensitivity (control systems) · Subversion · Visual arts · Art, Politics, and Modernism · Art, Technology, and Culture · Computer Science · Engineering
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,1 |
| Citation span | 1996 - 2015 (20) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |