Synesthesia and the Arts
Bibliographic Data
| ID | 3981761 |
|---|---|
| Authors | Greta Berman ((teacher), 45 Woodside Lane, Princeton, NJ 08540, U.S.A. E-mail: <>., corresponding author) |
| Year | 1999 |
| Volume | 32 |
| Issue | 1 |
| Pages | 15-22 |
| Publication date | 1999-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/002409499552957 |
| OpenAlex | W2057619308 |
| Language | EN |
| Citations received | 3 |
| References cited | 8 |
The term "synesthesia" has often been used metaphorically rather than accurately. Ongoing scientific research shows the condition to be "real," rather than imagined. The author focuses her discussion on the effects of colorsound synesthesia, or "chromesthesia," and on a selection of composers and visual artists. The composers discussed include Alexander Scriabin, Olivier Messiaen and Michael Torke. Visual artists discussed include Robert Delaunay and David Hockney
Art · Art history · Cognitive science · Perception · Selection (genetic algorithm) · Synesthesia · The arts · Visual arts · Artificial Intelligence · Color perception and design · Computer Science · Creativity in Education and Neuroscience · Multisensory perception and integration · Neuroscience · Psychology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.12 |
| Citation span | 2001 - 2024 (24) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |