The Progressive Tradition in Canadian Literature
Bibliographic Data
| ID | 3982332 |
|---|---|
| Authors | David Frank (0000-0003-3503-5310, University of New Brunswick), James Doyle |
| Year | 2003 |
| Volume | 52 |
| Pages | 245 |
| Publication date | 2003-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Labour / Le Travail (JOURNAL) |
| Journal identifiers | ISSN: 0700-3862 • E-ISSN: 1911-4842 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/25149391 |
| OpenAlex | W1544076494 |
| Language | EN |
THE CONVENTIONAL WISDOM in Canadian literary history tells us that the tradition is dominated by themes of exile and ambivalence. In Northrop Frye' s famous meta phor, Canadian culture is seen as a garrison of civilization, gradually extending its influence over a resistant landscape. * A few years later even a relatively critical na tionalist such as Margaret Atwood failed to find much evidence of a literature of so cial protest arising from the Canadian experience.2 In this context, James Doyle has produced a very useful survey that demonstrates the existence of a substantial tradi tion of literary radicalism in Canada. For some years now, Doyle's informative studies of individual writers associ ated with the 20th-century Canadian left have been appearing in the pages of jour nals such as Canadian Literature, Canadian Poetry, and left history. Now we have a full-length book that introduces many more names, and places the writers in the context of a larger tradition that reaches back into the 19th century and that has had a large influence in the 20th century. The scope is not as inclusive as the subtitle
Political science · Sociology · Canadian Identity and History · History · Short Stories in Global Literature
| Citation velocity | historical |
|---|---|
| Highly cited | No |