Traditional Music and the Work-Concept
TheKayagŭm Sanjoof Hwang Byungki
Bibliographic Data
| ID | 4000642 |
|---|---|
| Authors | Andrew Killick (corresponding author) |
| Year | 2017 |
| Volume | 49 |
| Pages | 1-25 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.5921/yeartradmusi.49.2017.0001 |
| OpenAlex | W2630959323 |
| Language | EN |
| References cited | 8 |
In most of the world, through most of history, music has been conceived as a set of practices and techniques, expressive or religious behaviours, and adaptable repertoire resources, or as an integral part of some larger phenomenon such as theatre or healing. Over the last two hundred years, however, music has increasingly been reconceived as consisting of autonomous musical works. This has surely been one of the most important developments in musical history worldwide; yet it has been relatively little studied
Aesthetics · Art · Epistemology · Literature · Music history · Musical · Phenomenon · Repertoire · Sociology · Visual arts · Asian Culture and Media Studies · Computer Science · History · Philosophy · Vietnamese History and Culture Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |