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The Chinese Community and theCorneta China

Two Divergent Paths in Cuba

Bibliographic Data

ID4000692
AuthorsRolando Antonio Perez Fernandez (corresponding author)
Year2014
Volume46
Pages62-88
Publication date2014-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueYearbook for Traditional Music (JOURNAL)
Journal identifiersISSN: 0740-1558 • E-ISSN: 2304-3857
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.5921/yeartradmusi.46.2014.0062
OpenAlexW2753341607
LanguageEN
Citations received1
References cited8

The Chinese are acknowledged to be one of the four basic ethnic groups that made up Cuba as a nation. Many Chinese joined in the nineteenth-century independence wars against Spanish colonial rule, and several Cubans of Chinese ancestry (hereafter, "Chinese descendants") turned out to be renowned artists and writers, including, among others, poet Regino Pedroso, painter Flora Fong, and Wifredo Lam, the most universal of all Cuban painters. Chinese influence has been felt in diverse fields of Cuban culture, from culinary art to religion, and from martial arts to music. Specifically, the introduction of a musical instrument, a sort of oboe or shawm called acorneta china,derived from the Han Chinesesuona,is one of the most significant Chinese cultural contributions to this island country. Nevertheless, the original instrument is no longer played by Chinese natives, and thecorneta chinahas been appropriated by non-Chinese Cubans since 1915, particularly in the eastern region of the island, where it is played in carnival street bands almost exclusively by performers of African descent. Thus, except for a short-lived attempt to come together in the lion dance during the 1980s and early 1990s, the development of the Chinese community and that of thecorneta chinahave followed divergent paths in Cuba, both of which are succinctly traced in this article

Ancient history · Art · Art history · China · Chinese art · Chinese culture · Chinese people · Colonialism · Dance · Ethnic group · Literature · Martial arts · Musical · Painting · Sociology · The arts · Visual arts · Anthropology · Asian Culture and Media Studies · Cuban History and Society · History · Japanese History and Culture

  • Chinese migration to Latin America

    Open Access•Jian Gao•History Compass•2021

  • Cuban counterpoint

    Bronislaw Malinowski, Fernando Ortiz•Cuban counterpoint•1970

  • The Chinese in Cuba, 1847-Now

    Gregor Benton, Mauro García Triana et al.•The Chinese in Cuba, 1847-now•2009

  • Imperial Eyes

    Mary Louise Pratt•Imperial Eyes•1992

  • Danzón

    Alejandro L Madrid, Robin Dale Moore et al.•Danzn Circumcaribbean Dialogues…•2013

  • Chinese Cubans

    Kathleen López, Kathleen M Lopez•Chinese Cubans•2013

  • Nationalizing Blackness

    Robin Dale Moore•Nationalizing Blackness•1998

  • Our History Is Still Being Written

    Li Anshan•Journal of Chinese Overseas•2006

Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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