The Land Where the Blues Began
Bibliographic Data
| ID | 4001649 |
|---|---|
| Authors | Rob Van Der Bliek (0000-0001-7491-5922), Alan Lomax (0000-0003-4743-9929) |
| Year | 1995 |
| Volume | 27 |
| Pages | 163 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/768119 |
| OpenAlex | W2320123629 |
| Language | EN |
| Citations received | 20 |
Good Sediment
At the Crossroads between Paris, Texas and the Buena Vista Social Club, Havana
A Responsibility to Something Besides People
The evolution of music—A comparison of Darwinian and dialectical methods
Highway 61 Revisited
The interactional negotiation of group membership and ethnicity
All Power to the Periphery”
Narrative Time in the Blues
Delta blues at the crossroads
Opportunities for ethnography in the sociology of music
Reaching out to the core
The Preoccupations of Mr. Lomax, Inventor of the “Inventor of Jazz”
Stack Lee
Robert Johnson's rhythms
Sitars and bossas
Enacting Power Asymmetries in Reported Exchanges in the Narratives of Former Slaves
Just a Dream”
Like a Cry from the Heart
Gender Power
Cultural Trauma
| Unique citing works | 20 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 1996 - 2021 (26) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |