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La modernité, invention médiatique

Bibliographic Data

ID4009034
AuthorsAlain Vaillant (0000-0001-7884-6127, Université Paris Nanterre, corresponding author)
Year2017
Volume35
Issue1
Publication date2017-01-01
Open AccessNo
TypeARTICLE
VenueFrench Politics Culture & Society (JOURNAL)
Journal identifiersISSN: 1537-6370 • E-ISSN: 1558-5271
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/fpcs.2017.350105
OpenAlexW4236734462, W2602294805
LanguageFR

During the nineteenth century, not only did the extraordinary development of the printed press transform the cultural environment, but it also brought about major formal changes in literature. This article explores these trasnformations through a focus on the contemporary use of the concept of “modernity.” The word dates back to 1688 at least, but it was mostly employed during the nineteenth century to describe post-revolutionary France and especially to criticize its consumerism and materialistic “bourgeoisie.” Nineteenth-century media culture embodied the triumph of “modernity,” especially in the form of the petite presse (“small press”). Born in a world where censorship still compromised the freedom of speech, the petite presse was an illustrated, satirical, ironical, and wisecracking medium. It aspired to a generalized non-seriousness which would, for a long time, be viewed as the “Parisian spirit.”

Aesthetics · Art · Art history · Bourgeoisie · Censorship · Consumerism · Embodied cognition · Epistemology · Literature · Materialism · Modernity · Political science · Politics · Seriousness · Sociology · Theology · Historical Studies and Socio-cultural Analysis · History · Law · Literature and Culture Studies · Philosophy

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