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The chance meeting of a goose and a plover on a turntable

Chris Watson's wildlife sound recordings

Bibliographic Data

ID4012619
AuthorsJacob Smith (0000-0003-2719-029X, Northwestern University, corresponding author)
Year2016
Volume2
Issue2
Pages151-164
Publication date2016-07-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSound Studies (JOURNAL)
Journal identifiersISSN: 2055-1940 • E-ISSN: 2055-1959
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/20551940.2016.1256100
OpenAlexW2559482130
LanguageEN
Citations received3
References cited18

Wildlife recordings have an uncertain position within media industries and genres because they can circulate as documentary soundtracks, sound art, or music. In this paper, I explore the cultural life of such recordings through an examination of the work of wildlife sound recordist Chris Watson. After a sketch of his professional career and discussion of the relation between his career trajectory and formal solutions to the spatial and temporal problems of wildlife sound recording, I consider the status of Watson’s work as audio-based eco-criticism, via the record El Tren Fantasma (2011)

Acoustics · Art · Geography · Sketch · Sound recording and reproduction · Watson · Wildlife · Animal Vocal Communication and Behavior · Archaeology and Rock Art Studies · Computer Science · Diverse Musicological Studies · Artificial Intelligence · Ecology

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Unique citing works3
Citations per year0,6
Citation span2021 - 2022 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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