Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Seismology's acoustic debt

Robert Mallet, Chladni's figures, and the Victorian science of earthquakes

Bibliographic Data

ID4012736
AuthorsEdward J Gillin (0000-0001-9449-9292, University of Cambridge, corresponding author)
Year2020
Volume6
Issue1
Pages65-82
Publication date2020-01-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSound Studies (JOURNAL)
Journal identifiersISSN: 2055-1940 • E-ISSN: 2055-1959
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/20551940.2019.1678313
PMID39193443
OpenAlexW2982868752
LanguageEN
Citations received1
References cited21

In the nineteenth century, Ernst Chladni's acoustic figures provided productive new experimental techniques for investigating natural phenomena. The movement of invisible forces, such as light, electricity, magnetism, and heat, were hard for natural philosophers to examine. But Chladni's use of vibrating glass plates and sand to reveal the wave motions of sound offered an experimental framework through which to make natural phenomena visible. In Britain, it was Michael Faraday and Charles Wheatstone in the 1820s and 1830s who made best use of these practices and apparatus. Sound waves also provided new ways of thinking about earthquakes and seismic phenomena. This article explores how Robert Mallet, the first self-styled "seismologist", examined earthquakes, drawing on broader philosophical work surrounding vibrations and acoustic waves. Mallet was keen to draw parallels between the movement of seismic shock waves and the movement of musical sounds, including those from a piano moving through a room. He was not alone in this respect. Charles Darwin, among others, noticed comparisons between the sonorous and the seismic. By contextualising Victorian seismology within the context of Victorian acoustic science, this article argues that the two disciplines were deeply connected

Acoustics · Mallet · Physics · Seismology · Australian Indigenous Culture and History · Engineering · History of Science and Medicine · History of Science and Natural History · Geology

  • Distributing epistemic and practical risks

    Open Access•Li-An Yu•Synthese•2022

  • Worlds Before Adam

    Martin J S Rudwick•Worlds Before Adam•2008

  • XVII. On a peculiar class of acoustical figures; and on certain forms assumed by groups of particles upon vibrating elastic surfaces

    Open Access•Michael Faraday•Philosophical Transactions of the…•1831

  • Nineteenth-century survey sciences

    Open Access•Simon Naylor, Simon Schaffer•Notes and Records the Royal…•2019

  • Robert Mallet and the ‘Great Neapolitan earthquake’ of 1857

    Open Access•Graziano Ferrari, Anita Mcconnell•Notes and Records the Royal…•2005

  • Victorian Sensation

    James A Secord•Victorian Sensation•2000

  • Visions of Science

    Open Access•Katharine Anderson•Journal of Historical Geography•2014

  • Michael Faraday

    L Pearce Williams•The British Journal for the…•1967

  • Tremoring transits

    Open Access•Edward J Gillin•The British Journal for the…•2020

  • Darwin, Concepción, and the Geological Sublime

    Open Access•Paul White, Paul D White•Science in Context•2012

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae