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The Berimbau's Social Ginga

Notes Towards a Comprehension of Agency in Capoeira

Bibliographic Data

ID4016722
AuthorsMauricio Acuña (0000-0003-1409-5699, Princeton University, corresponding author)
Year2016
Volume6
Issue2
Pages383-406
Publication date2016-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSociologia & Antropologia (JOURNAL)
Journal identifiersISSN: 2236-7527 • E-ISSN: 2238-3875
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/2238-38752016v624
OpenAlexW2526933700
SCIELO_PIDS2238-38752016000200383
LanguageEN
Citations received4
References cited1

Although the berimbau is widely acknowledged today as part of capoeira - in Brazil and around the world - only a 'minimal' history of this instrument exists concerning its evolution over the twentieth century. The sounds, songs and notes of the berimbau, as well as its circulation among capoeiristas, artists, athletes and intellectuals, played an important role in the historical shift from a 'poisonous' capoeira to the 'non-poisonous' styles. The latter were the same styles that became national with enough of a violent edge to maintain the ambivalence between martial art, game and dance, as exemplified and echoed by the capoeira movement between 1930 and 1960. This article approaches the berimbau as an object embodied with a specific kind of agency, useful to the national imagination, to the control of the body and to the promotion of hierarchies among its practitioners

Aesthetics · Agency (philosophy · Ambivalence · Art · Athletes · Dance · Embodied cognition · Epistemology · Linguistics · Martial arts · Movement (music · Object (grammar · Political science · Politics · Promotion (chess · Social science · Sociology · Visual arts · Doping in Sports · Gender Studies · History · Law · Martial Arts: Techniques, Psychology, and Education · Physical Education and Sports Studies · Psychology · Social Psychology

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Unique citing works4
Citations per year0,8
Citation span2021 - 2022 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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