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Invention as a Social Drama

From an Ascending Machine to the Aerostatic Globe

Bibliographic Data

ID4021222
AuthorsMi Gyung Kim (corresponding author)
Year2013
Volume54
Issue4
Pages853-887
Publication date2013-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTechnology and Culture (JOURNAL)
Journal identifiersISSN: 0040-165X • E-ISSN: 1097-3729
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tech.2013.0129
OpenAlexW2080174785
LanguageEN
References cited34

This paper characterizes the invention of the aerostatic machine in 1783 as a social drama to probe its social, cultural, and political function in Old Regime France. Even if the machine did not usher in modern industrialization and does not deserve a prominent place in economic history, the process of its "invention" highlights a rather usual set of factors involved in changing a traditional society organized by symbolic hierarchy. By delineating its provincial sites of production, its machine genealogy, the performative conjuncture of various sciences that facilitated its birth, and its metamorphosis in the Parisian public sphere, this paper makes visible the inventors' liminality in theatrical polity and their strategies of self-fashioning that stabilized a fragile paper machine as a majestic scientific spectacle that helped visualize the emergent nation

Aesthetics · Art · Drama · Globe · Ideology · Performative utterance · Political science · Politics · Polity · Sociology · Spectacle · Visual arts · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis · History · History of Science and Medicine · Law

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Citation velocityhistorical
Highly citedNo

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