Reduced to Science
Gender, Technology, and Power in the American Dressmaking Trade, 1860-1910
Bibliographic Data
| ID | 4025035 |
|---|---|
| Authors | Wendy Gamber (corresponding author) |
| Year | 1995 |
| Volume | 36 |
| Issue | 3 |
| Pages | 455 |
| Publication date | 1995-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Technology and Culture (JOURNAL) |
| Journal identifiers | ISSN: 0040-165X • E-ISSN: 1097-3729 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.1353/tech.1995.0000 |
| OpenAlex | W4367471228 |
| Language | EN |
| Citations received | 6 |
Au XIX e siecle, la couture etait principalement une occupation feminine. Des le debut du XX e siecle, elle devient un art necessitant une connaissance scientifique pour l'elaboration des patrons, et comptera alors des hommes parmi ses plus celebres tailleurs
Art history · Clothing · Economics · Epithet · Ideology · Political science · Politics · Power (physics) · Sociology · American History and Culture · Classics · Crafts, Textile, and Design · Fashion and Cultural Textiles · Gender Studies · Historical Gender and Feminism Studies · History · Law
Ruth Schwartz Cowan, More Work for Mother
The dressmakers
Diggers’ Dress and Identity on the Victorian Goldfields, Australia, 1851‒1870
Propuestas cinematográficas de ciencia ficción desde el cortometraje elaborado por mujeres. El caso del Ros Film Festival
Lab Hands’ and the ‘Scarlet O’
The Ladies Ulster in the 1870s and 1880s
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,27 |
| Citation span | 2004 - 2025 (22) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 4 |