Copying and Copyright
Bibliographic Data
| ID | 4029401 |
|---|---|
| Authors | Hal R Varian (holds the Class of 1944 Professorship in the School of Information Management and Systems, the Haas School of Business, and the Department of Economics, at the University of California, Berkeley, California., corresponding author) |
| Year | 2005 |
| Volume | 19 |
| Issue | 2 |
| Pages | 121-138 |
| Publication date | 2005-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Economic Perspectives (JOURNAL) |
| Journal identifiers | ISSN: 0895-3309 • E-ISSN: 1944-7965 |
| Publisher | American Economic Association (PUBLISHER • US) |
| DOI | 10.1257/0895330054048768 |
| OpenAlex | W2147509925 |
| Language | EN |
| Citations received | 22 |
| References cited | 17 |
oday most newly created textual, photographic, audio and video content is available in digital form. Even older content that was not "born digital" can relatively easily be converted to machine-readable formats. At the same time, the world has become more networked, making it easy to transfer digital content from one person to another. The combination of technological progress in both digitization and computer networking has been a challenge for traditional ways of managing intellectual property. Some observers have even questioned whether current models for intellectual property can or should survive in a digital world
Business · Business model · Copying · Digital media · Digitization · Intellectual property · Media studies · Newspaper · Political science · Publishing · Sociology · Telecommunications · World Wide Web · Computer Science · Copyright and Intellectual Property · Digital Platforms and Economics · Intellectual Property and Patents · Law · Marketing
Copyright and Entrepreneurship
A Textbook of Cultural Economics
A Textbook of Cultural Economics
Digital Economics
The art of crowdfunding arts and innovation
The exhaustion principle in copyright and modern digital markets
The role of openness in creative innovation
Adaptations versus original film premieres trends in broadband society
An Expensive, Confusing, and Ineffective Suit of Armor
The rise of ‘user creativity’ – Web 2.0 and a new challenge for copyright law and cultural policy
Three arguments against ‘soft innovation’
The New Globalisation of Intellectual Property Rights
Strategies under pressure
Copyright policy, innovation, and the limits to our understanding – a response to Birgitte Andersen’s ‘Shackling the digital economy means less for everyone’
Debe el Estado financiar las artes y la cultura? Revisión de literatura
On Jain’s digital piracy model
We have rights to designs’
Flamenco y derechos de autor. El caso de Camarón de la Isla
Online Versus Offline in the United States
Copyright and the Right to Translation
The Political Economy of Intellectual Property Piracy
The meaning of digital platforms
| Unique citing works | 22 |
|---|---|
| Citations per year | 1,29 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 21 |