Material Inheritances
How Place, Materiality, and Labor Process Underpin the Path-dependent Evolution of Contemporary Craft Production
Bibliographic Data
| ID | 4040941 |
|---|---|
| Authors | Chris Gibson (0009-0007-6215-6579) |
| Year | 2016 |
| Volume | 92 |
| Issue | 1 |
| Pages | 61-86 |
| Publication date | 2016-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Economic Geography (JOURNAL) |
| Journal identifiers | ISSN: 0013-0095 • E-ISSN: 1944-8287 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00130095.2015.1092211 |
| OpenAlex | W2300364468 |
| Language | EN |
| Citations received | 52 |
| References cited | 88 |
This article explores the historic–geographic evolution of contemporary craft production, with sensitivity to materiality of labor process, product design, and accompanying place mythologies. Craft production—increasingly interpolated as a form of creative work—is shaped by concerns about retrieving archaic tools and ways of making things, celebrating provenance and the haptic skills of makers, and delivering (and marketing) manual labor process. In contrast to evolutionary economic geography’s seeming immateriality and abstraction, attention is drawn to material aspects of place and path dependence that undergird geographies of new craft industries: how labor process evolves, in iteration with technical lock-ins that stem from production method, product design, and capacities of component materials, but also how legacies of mass manufacturing linger in putatively authentic places—shaping new geographic concentrations. An especially vivid case is explored: a cluster of cowboy bootmaking workshops in El Paso, Texas. Bootmaking has metamorphosed from artisanal to factory to a craft-based creative mode of production. Crucial were continuity in product design and evolution of labor process. So, too, was geography: an iconic borderland city location with historic legacies of labor intensive mass manufacturing; migrant workers with requisite embodied skills; antique tools; and significant stocks of leather, the core input material that must be seen, felt, and smelt by makers before fabrication. I argue for a grounded, critical evolutionary economic geography that requires stronger intersection with labor process, with the cultural logics infusing capitalism, and with greater recognition of material inheritances that are reconfigured in place over successive generations
Aesthetics · Archaeology · Art · Business · Craft · Economic geography · Economics · Geography · Materiality (auditing) · Microeconomics · Path (computing) · Process (computing) · Production (economics) · Computer Science · Crafts, Textile, and Design · Cultural Industries and Urban Development · Fashion and Cultural Textiles
Machine-made lace, the spaces of skilled practices and the paradoxes of contemporary craft production
Hidden Between Craft and Industry
Historical geographies of apprenticeship
Configurations of Craft
Opportunities and risks of localised industrial policy
Relational Encounters and Vital Materiality in the Practice of Craft Work
Reimagining craft for community development
Ethics, Tradition and Temporality in Craft Work
Production Value
Manufacturing and cultural production
Transformation and tensions in the Sri Lankan brassware industry
Who Cares for Agile Work? In/Visibilized Work Practices and Their Emancipatory Potential
Texas Cowboy Boots
Selling scarcity
Craft making
The rusted steel that binds
Connecting craft, design and the wood industry in South Tyrol
Multiplicities and heterogeneity
A different perspective on post-industrial labor market restructuring in Detroit and Pittsburgh
Digital social innovations in rural areas – process tracing and mapping critical junctures
Crafting proximity
Automating the black art
Creative clusters and the evolution of knowledge and skills
Glorified Janitors
Projects and pockets
Skill ecosystems in the global South
Materials that linger
Making continuity
Identifying ‘authorized users’, identifying kin
The creative renewal of a craft cluster
Industrial inheritances
Making the Ontario craft beer market
Taxidermy workshops
Patterns and Programs
Authenticity and Place-Based Knitwear
Creative migration to peripheral cities
Bottom-up cluster branding through boundary spanners
Repair work as good work
Unintentional path dependence
Assembling Birrarung Wilam
Getting close to clothes
Material migrations of performance
Sustaining craft markets in urban India
Material matters
Animating geographies of making
Male, Pale and Stale'? For More Curious, Diverse and Heterodox Economic Geographies
Covid-19 and the shifting industrial landscape
Hiding in the Spotlight
Resource-Sensitive Global Production Networks
(Re)Incorporating "the Tangible" in Industrial Path Development Analyses
The Devotions of Restoration
The Artisan Economy and the New Spirit of Capitalism
The textility of making
Distinction
Spatial Divisions of Labour
Economies of Signs and Space
Locating Cultural Work
The role of creative industries in industrial innovation
Craft and the Creative Economy
From Working Class to Hipster Flash
Distinction
Work, Locality and the Rhythms of Capital
Naked City
Entrepreneurship, Innovation and Industrial Development
Crafting your way out of the recession? New craft entrepreneurs and the global economic downturn
Turning the tide
Resilient regions
Path-dependence and change in an old industrial area
Manufacturing resiliency
Manufacturing carpets and technical textiles
Manufacturing by design
Path dependence and regional economic evolution
Creativity or costs? Questioning New Zealand's fashion success
Economic geography and the evolution of networks
Modeling industrial evolution in geographical space
The Cultural Economy
Critical Political Economy and Material Transformation
The Cultural Economy of a Border Renaissance
Craft labour and creative industries
Sexuality, rurality and geography
Crafting masculinities
Creative Cities
Conceptualizing sunk costs in economic geography
Geographies of production III
Thinking through work
Conceptualizing economies and their geographies
Geographies of production III
Crossing the Factory Frontier
Rethinking the Creative City
Crafting the Region
Organizational Complexity in the Regional Cultural Economy
Advancing Evolutionary Economic Geography by Engaged Pluralism
Border Boom Town
Opportunities, Incentives and the Collective Patterns of Technological Change
The ordinary economy
It’s more than just what it is’
Situating design in the Canadian household furniture industry
Crafting Regional Cultural Production
Guitar Makers
Authenticity on the Ground
Moving cities
Souvenirs, materialities and animal encounters
The geographies of cultural geography III
Some Notes on Institutions in Evolutionary Economic Geography
Geographies of making
Rethinking economy
Fashion as viscous knowledge
Material worlds? Resource geographies and the `matter of nature
Carbon Democracy
Nothing includes everything
Follow the Thing
Fabricating Futures and the Movement of Objects
Spatiality, Built Form, and Creative Industry Development in the Inner City
Creating the Right 'Vibe
Placing the Creative Economy
Roepke Lecture in Economic Geography-Rethinking Regional Path Dependence
Poverty Alleviation and the Eviction of the Poorest
Assembling Market B/Orders
Rethinking Change in Old Industrial Regions
The Culture Economy of Paris∗
Materiality and Creative Production
Blue-Collar Creativity
Working Culture
Evolution in Economic Geography
Roepke Lecture in Economic Geography-The Lives of Others
Competitiveness by Design
The Politics of Work
Cultures at work
Culture that works? Creative industries development in a working-class city
The Sensorium at Work
Border Boom Town
The Aura of the Analogue in a Digital Age
Vibrant Matter
Materialist returns
| Unique citing works | 52 |
|---|---|
| Citations per year | 5,2 |
| Citation span | 2016 - 2026 (11) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 49 |