Islamic Revolution and the Circulation of Visual Culture
Bibliographic Data
| ID | 4054072 |
|---|---|
| Authors | Mazyar Lotfalian |
| Year | 2009 |
| Volume | 2009 |
| Issue | 105 |
| Pages | 163-167 |
| Publication date | 2009-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Radical History Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-6545 • E-ISSN: 1534-1453 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/01636545-2009-014 |
| OpenAlex | W2084524887 |
| Language | EN |
| Citations received | 2 |
The Islamic Revolution of 1979 influenced the production of visual culture in Iran. This article reflects on the postrevolutionary emerging languages of visual culture through its multiple channels of circulation. It argues that the circulation of these productions and an interconnection of media types help us understand the emerging sensus communis, a new possibility for a shared understanding of sense perception, that is coming out of various places, different technologies, and emerging forms
Aesthetics · Archaeology · Art · Epistemology · Islam · Islamic culture · Perception · Political science · Sociology · Visual culture · Anthropology · Contemporary and Historical Greek Studies · Engineering · History · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2015 - 2019 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |