History and Memory in African-American Culture
Dados Bibliográficos
| ID | 4054597 |
|---|---|
| Autores | Geneviève Fabre, Robert O''Meally, Robert O'Meally, Robert N O’Meally (0000-0002-7502-3587), Harvard Sitkoff |
| Ano | 1995 |
| Volume | 24 |
| Fascículo | 1 |
| Páginas | 10-11 |
| Data de publicação | 1995-07-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | REVIEW |
| Periódico | History Reviews of New Books (JOURNAL) |
| Identificadores do periódico | ISSN: 0361-2759 • E-ISSN: 1930-8280 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03612759.1995.9949138 |
| OpenAlex | W4301479547 |
| Idioma | EN |
| Citações recebidas | 2 |
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning - the frame and the substance - of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances
Sociology · Asian American and Pacific Histories · History · Latin American and Latino Studies · Race, History, and American Society
The Cultural Agency of Wounded Bodies Politic
Afterword
Political Construction and Cultural Instrumentalities of Indigenism in Brazil, with Echoes from Latin America
The Slave Ship as the Chronotope of the Black Atlantic
History, An Exit Strategy
Remembering Mayberry in White and Black
Beyond presentism
Nothing is lost’
First Time Days and the Development Life
Cultivating Peripheral Vision
The Souls of White Folk
Introduction
“Witnessing” Lynching in Scholarship and in the Classroom
From Upper Canal to Lower Manhattan
Remembering Saartjie Baartman
Gender, sex, and the civil war
Transformative provenance
African-American Public Rituals on the Fourth of July and Citizenship in South Carolina During Reconstruction
Ruralizing the City
Institutionalizing Counter‐Memories of the U.S. Civil Rights Movement
Listening through White Ears”
The ‘Jamaica 300’ celebrations of 1955
Religion, Social Power, and Identity Among the Gowlis, Siddis, and Lambanis
“A Success in Every Particular”
Gazing the hood
What is Africa to me’ now
Some Children See Him
Blackness and the Politics of Memory in the New Orleans Second Line
Conjuring the past
Memory and Resistance
Africana Cultural Memory in the Afroeuropean Context
Belief and the American Folk
A Strange, Ventriloquous Voice
Making Place, Making Race
Exchanging Symbols
Lost Jazz Lives Recovered Between Fact and Fiction
Race/Ethnicity in Media History
Sites of Memory
Katherine Dunham's Dance as Public Anthropology
Race, memory and family history
Agonizing Groans of Mothers” and “Slave‐Scarred Veterans”
Cultural Agency and Political Struggle in the Era of the Indio Permitido
The Black Arts Enterprise and the Production of African American Poetry
The Cambridge Companion to American Civil Rights Literature
It Takes a Tragedy to Arouse Them
The Cambridge History of African American Literature
Public Memory and the Search for Power in American Historical Archaeology
Specters of Democracy
Just got to keep going
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |