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Augustine's De Musica

Bibliographic Data

ID4063140
AuthorsBrian Brennan (corresponding author)
Year1988
Volume42
Issue3
Pages267-281
Publication date1988-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueVigiliae Christianae (JOURNAL)
Journal identifiersISSN: 0042-6032 • E-ISSN: 1570-0720
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/157007288x00255
OpenAlexW1979886379
LanguageEN
Citations received5

Augustine's less well known works, his treatise De Musica.' Although in the Renaissance period, following the rediscovery of the treatise, Augustine was once again acknowledged as a Christian musical theorist,2 our own age does not immediately see him in this light. Carpaccio's reference long remained obscure. Written as part of a projected series of works on the liberal arts, Augustine's De Musica deals not with practical music making but with music as a speculative science. At the time of his baptism at Milan in 387 Augustine began a series of works on the liberal arts, each of which was to be reinterpreted from a Christian perspective. It was as part of this series that the treatise De Musica was written, but only after Augustine's return to North Africa.3 Since the work betrays the influence of both the Neo-Platonic and Neo-Pythagorean traditions and stresses the value of music in its ethical and paedeutic aspect, modern discussion has tended to focus on the philosophical antecedents to Augustine's theories.4 My aim here is to stress also the personal element that links Augustine's philosophical speculations on the nature of music to his own experience of the Ambrosian music of the Milanese church at the time of his conversion. Here the treatise will be presented as Augustine's extended intellectual justification for an intensely felt emotional response to music

Aesthetics · Art · Baptism · Literature · Liturgy · Music history · Music theory · Musical · Period (music) · Philosophy of music · The arts · Theology · Visual arts · Augustinian Studies and Theology · Classics · Historical and Religious Studies of Rome · Historical, Religious, and Philosophical Studies · Philosophy

  • Augustine's De Musica in the 21st Century Music Classroom

    Open Access•John Macinnis•Religions•2015

  • Sonic Metaphors

    Open Access•Elizabeth Ursic•Feminist Theology•2021

  • Augustine on music as the harmonious language of spirituality

    Open Access•Godfrey T Baleng•In die Skriflig/In Luce Verbi•2024

  • On Music, Order, and Memory

    Open Access•Jessica Wiskus•Open Theology•2020

  • Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

    Open Access•Nori Jacoby, Rainer Polak et al.•Nature Human Behaviour•2024

Unique citing works5
Citations per year0,45
Citation span2015 - 2024 (10)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae