On the "Spiritual" in Aesthetic Experience; or, The "Nonfactual in Facticity
Datos Bibliográficos
| ID | 4070547 |
|---|---|
| Autores | Hent De Vries (autor de correspondencia) |
| Año | 2021 |
| Volumen | 48 |
| Número | 2 |
| Páginas | 43-61 |
| Fecha de publicación | 2021-08-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | New German Critique (JOURNAL) |
| Identificadores de la revista | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Editorial | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/0094033x-8989232 |
| OpenAlex | W3194736857 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 14 |
This article revisits the original meaning of "spiritual" as distinct from "intellectual" experience in Theodor W. Adorno's late work. It does so through the implicitly Hegelian motifs in Wassily Kandinsky's manifesto "On the Spiritual in Art," a text that Adorno engages in passing in his Aesthetic Theory and that was, in turn, deeply influenced by the thought of Kandinsky's nephew Alexandre Kojève, who also wrote an essay on his uncle's paintings. This genealogy of motifs is of more than mere historical and anecdotal significance. At stake is nothing less than an accurate understanding of "spiritual experience [geistige Erfahrung]" as a more than merely theoretical matrix for what Adorno, in Negative Dialectics and the lecture courses, calls his materials studies. Rather than indicating largely esoteric or theosophical elements in Kandinsky's influence on modernist aesthetic discourse, "spiritual experience," in part read through the eyes of Kojève and, via him, Vladimir Soloviev, is thereby distinguished from what Adorno sees as an irrepressible tendency toward "spiritualization" in contemporary culture and the philosophy that reflects on it. Instead, it reveals a dimension of depth that the reception of Critical Theory has all too often ignored or disparaged
Aesthetics · Art · Art history · Dialectic · Epistemology · Hegelianism · Literature · Manifesto · Meaning (existential) · Nothing · Painting · Critical Theory and Philosophy · Ethics, Aesthetics, and Art · Philosophy · Philosophy, Ethics, and Existentialism
Philosophy and the Mirror of Nature
Sound Figures
The Sounding Cosmos Revisited
The Black Circle
Adorno’s Philosophy of the Nonidentical
Adorno and Existence
Adorno
La métaphysique religieuse de Vladimir Soloviev
Drei Studien zu Hegel
Knowing and History. Appropriations of Hegel in Twentieth-Century France
Philosophy and the Mirror of Nature
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,25 |
| Intervalo de citas | 2022 - 2022 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |