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Seductress, Storyteller, and Subject

Bibliographic Data

ID4070636
AuthorsKatherine C Bermingham (corresponding author)
Year2018
Volume45
Issue1
Pages155-179
Publication date2018-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-4269886
OpenAlexW2913205483
LanguageEN
References cited5

Max Horkheimer and Theodor Adorno’s Dialectic of Enlightenment laid indispensable groundwork for critiquing instrumental rationality and the power dynamics embedded in discursive logic. Especially relevant for feminist theorists is the pair’s excursus on Homer’s Odyssey, which reads the hero’s epic journey as an allegory for the emergence of subjectivity. Horkheimer and Adorno interpret Homer’s female characters as sensual forces of nature that Odysseus must resist in his quest for homecoming. Yet, conspicuously absent from Horkheimer and Adorno’s analysis—and previous feminist commentaries on their analysis—is Homer’s paragon of feminine sensuality: Helen of Argos and Troy. This article rereads the treacherous beauty through Horkheimer and Adorno’s critical perspective, arguing that despite Helen’s exclusion from the text of Dialectic of Enlightenment, she is central to its thesis. As much as the poem’s eponymous hero, Helen exhibits the incipient features of an individuated (and alienated) protobourgeois subject. Ultimately, this article contends that Horkheimer and Adorno undertheorize women’s experience of subjectivity, which seems to explain why they exclude Helen from their analysis

Aesthetics · Allegory · Art · Art history · Critical theory · Dialectic · Enlightenment · Epistemology · HERO · Homecoming · Literature · Power (physics) · Psychoanalysis · Subject (documents) · Subjectivity · Critical Theory and Philosophy · Philosophy · Political theory and Gramsci · Psychology · Social and Cultural Dynamics

  • Feminist Interpretations of Theodor Adorno

    A Stone•The British Journal of Aesthetics•2007

  • A Feminine Dialectic of Enlightenment? Horkheimer and Adorno Revisited

    Andrew Hewitt•New German Critique•1992

  • Adorno's Siren Song

    Rebecca Comay•New German Critique•2000

  • Dialectic of Enlightenment

    Max Horkheimer, Theodor W Adorno et al.•Dialectic of Enlightenment…•2020

Citation velocityhistorical
Highly citedNo

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