Kluge, Film History, and Eigensinn
A Taking of Stock from the Distance
Bibliographic Data
| ID | 4070675 |
|---|---|
| Authors | Eric Rentschler (corresponding author) |
| Year | 1984 |
| Issue | 31 |
| Pages | 109 |
| Publication date | 1984-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/487891 |
| OpenAlex | W2331723428 |
| Language | DE |
| Citations received | 1 |
Enthusiasm, celebration, and continuing fascination on the one side; dissension, crisis, and impasse on the other: a striking nonsynchronicity (Ungleichzeitigkeit) has over the years governed takings of stock of New German Film by American friends and the national cinema's domestic observers. The films may be the same, but the courses in time are not. Recent developments offer further proof of how decidedly dissimilar perceptions of the New German Film remain on opposite sides of the Atlantic. During the autumn of 1983 in Manhattan, the receptivity of the foreign cinema reached an all-time high. Fassbinder's Berlin Alexanderplatz enjoyed a widely publicized com
Archaeology · Art · Stock (firearms) · European history and politics · German History and Society · History · Italian Fascism and Post-war Society
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |