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Elfriede Jelinek's Language of Violence

Bibliographic Data

ID4070720
AuthorsBeatrice Hanssen (corresponding author)
Year1996
Issue68
Pages79
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherJSTOR (PUBLISHER)
DOI10.2307/3108665
OpenAlexW2330156274
LanguageEN
Citations received6

I. by Other Elfriede Jelinek's writings can perhaps best be read as a sustained critique of the presence of violence in postwar Austria. True to her programmatic Bachmann essay, War by Other Means [Der Krieg mit anderen Mitteln], most of her novels, plays, and short essays dissect the covert but insidious continuation of fascist ideology and its belligerent potential in postwar gender relations. While novels such as The Piano Teacher [Die Klavierspielerin] (1983) or Lust (1989) place the force of the analysis on body politics and the pornographic exploitation of women's bodies to uncover their underlying war-like economy, other recent texts have turned to the epistemological and philosophical foundations of fascism, evident in Wolken. Heim (1988) and Totenauberg (1991), or to the neo-Nazism of the Austrian Freedom Party (FPO). That gender inequity is to be regarded as the covert perpetuation of fascism and its victim-perpetrator dialectic is, to be sure, an assumption that underlies much of first-wave German feminism and women's literature as it emerged after the World II. Its theoretical justification had been provided by Horkheimer and Adorno in the Dialectic ofEnlightenment, when they established a correlation between the violence of instrumental reason, the biopolitics of fascism, anti-Semitism, and the historical objectification of women as phusis.1 The legacy of this tradition can be discerned in the New German Feminism of the 1970s, no

Computer Science · European history and politics · German History and Society · German legal, social, and political studies

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    Jutta Gsoels-Lorensen, Jutta Gsoels‐Lorensen•The Germanic Review Literature…•2006

  • Imaginaire érotique féminin et masculin dans le roman La Pianiste d’Elfriede Jelinek

    Open Access•Ruxandra Cesereanu•Caietele Echinox•2022

  • Pop, Porn, and Rebellious Speech

    Maria Stehle•Feminist Media Studies•2011

  • Writing Rape, Troping History

    Open Access•Katherine Stone•The German Quarterly•2018

  • The Real and Illusory after September 11, 2001, in Elfriede Jelinek's Bambiland and Babel

    Open Access•Cyrus Shahan•The German Quarterly•2012

  • Abducting Modernity

    Abdelwahab El‐affendi, Salisu Gumel•Hawwa•2015

Unique citing works6
Citations per year0,3
Citation span2006 - 2022 (17)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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