The Commerce of Auteurism
A Voice without Authority
Bibliographic Data
| ID | 4070819 |
|---|---|
| Authors | Timothy Corrigan (corresponding author) |
| Year | 1990 |
| Issue | 49 |
| Pages | 43 |
| Publication date | 1990-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/488373 |
| OpenAlex | W2321023468 |
| Language | EN |
| Citations received | 9 |
Alexander Kluge is a grudging auteur, a reluctant personality who seems to engage any and all historical issues more than the history of himself: since Oberhausen, he has been one of film's most famous international signatures yet has accepted that label only with great hesitation and careful qualification. To locate Kluge within this troubled category of auteur has always required revision, but as Kluge has evolved through the contemporary international film industry, placing Kluge the auteur has meant increasingly complicating that position to fit the shifting grounds of postmodern culture. Commentators within modem German cinema have noted his
Business · Cinema and Media Studies · European history and politics · History · Italian Fascism and Post-war Society
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European Crime Cinema and the Auteur
Le cinéma japonais indīzu et la fabrique néolibérale de l’auteur et de l’autrice
Wong Kar-wai
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2014 - 2022 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |