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Riddle-Character, Interpretation, and Dialectical Image

Adorno's Philosophy and the Case of Musical Performance

Bibliographic Data

ID4070877
AuthorsMax Paddison (corresponding author)
Year2016
Volume43
Issue3
Pages139-154
Publication date2016-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-3625409
OpenAlexW2556227810
LanguageEN
Citations received3
References cited5

This article proposes that it is the notion of the "image" that provides the key to how Adorno understands interpretation in both philosophy and art. It seeks to show that it is especially music, and musical interpretation as performance, that provides the model for Adorno's conception of philosophical interpretation. It argues that interpretation is a practice that also involves the making of something, as poesis, and that Adorno's ideal for this is interpretation as musical performance. Through a rereading of the concepts of riddle-character (Rätselcharakter), interpretation (Deutung), and image (Bild) in Adorno's philosophical and musical texts from the early 1930s to the late 1960s and material from the Nachlass, the case is made that his conception of interpretation involves not only the decipherment of the riddle-character of art but also the construction of further "interpretive" riddle figurations, as "dialectical images

Aesthetics · Art · Character (mathematics) · Dialectic · Epistemology · Ideal (ethics) · Interpretation (philosophy) · Linguistics · Literature · Musical · Critical Theory and Philosophy · Musicology and Musical Analysis · Philosophy · Visual Culture and Art Theory

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    Open Access•Justin Neville Kaushall•Philosophy & Social Criticism•2025

  • The melancholic gaze

    Open Access•Justin Neville Kaushall•Constellations•2021

  • Notes on the "Dialectical Image" (How Deconstructive Is It?)

    Anselm Haverkamp•diacritics•1992

  • The Actuality of Philosophy

    T W Adorno•Telos•1977

  • The dialectics of seeing

    Susan Buck-Mor, Susan Buck-Morss•The dialectics of seeing•1989

  • Mimesis and the Aesthetics of Musical Expression

    Open Access•Max Paddison•Music Analysis•2010

Unique citing works3
Citations per year0,6
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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