The New Man as Cyborg
Figures of Technology in Weimar Visual Culture
Bibliographic Data
| ID | 4070883 |
|---|---|
| Authors | Matthew Biro (corresponding author) |
| Year | 1994 |
| Issue | 62 |
| Pages | 71 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/488510 |
| OpenAlex | W2329577493 |
| Language | EN |
| Citations received | 10 |
L'A. etudie l'image du cyborg dans l'art (pictural et cinematographique) de la Republique de Weimar, qui permet de saisir la modernisation et la technologisation dans l'Allemagne d'entre les deux guerres
Aesthetics · Art · Art history · Linguistics · Visual arts · Visual culture · Weimar Republic · Art, Politics, and Modernism · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory
“Jetzt kommt das Leben”
Re-imagining Embodiment
We Are Borg
Homus Novus
Japan's First Cyborg? Miss Nippon, Eugenics and Wartime Technologies of Beauty, Body and Blood
Sunlit Dancers
Writing the Asphalt Jungle
Cyborg Urbanization
Being Prosthetic in the First World War and Weimar Germany
From Idiophylaxis to Inner Armor
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2000 - 2019 (20) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |