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Habermas on Aesthetics and Rationality

Completing the Project of Enlightenment

Bibliographic Data

ID4070916
AuthorsDenise Ingram (0000-0002-0184-9271), David Ingram (0000-0002-2435-3949, corresponding author)
Year1991
Issue53
Pages67
Publication date1991-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherJSTOR (PUBLISHER)
DOI10.2307/488245
OpenAlexW2312468624
LanguageEN
Citations received7

It is hard to imagine anyone associated with the Frankfurt School whose work, in manner of form as well as content, is so far removed from the aesthetic as that ofJiirgen Habermas. Aesthetic concerns do not occupy center stage in his critical productions as they do in the more literary oeuvres of Adorno, Marcuse, Benjamin, and Lowenthal. Yet they are important nonetheless, as can be seen from his attempt to extricate reason from the dialectic of enlightenment. It was this dialectic that led his predecessors to seek in aesthetics what could not be attained at the level of formal rationality the utopian anticipation of an emancipated and reconciled form of life. It is this same problematic, I shall argue, that compels him to do likewise. In the early eighties Habermas acknowledged a distinctly aesthetic type of rationality. He insisted that problems of taste could be resolved through rational suasion by trained experts, just as in science and law. On this reading, artists and art critics are assigned the task of working out the inner logic of the aesthetic the expression of authentic subjectivity divorced from everyday cognitive and practical exigencies. Yet Habermas did not endorse aesthetic specialization unreservedly, for he noted that its culmination in an avant-garde counterculture whose celebration of art for art's sake of the responsibility, that is, of the artist only to himself seems more often than not to glorify the arbitrary and arcane at the expense of the rational. Aesthetic rationality

Aesthetics · Enlightenment · Epistemology · Rationality · Sociology · Critical Theory and Philosophy · Philosophy

  • A Habermasian Literary Criticism

    Nicholas Hengen Fox•New Literary History•2012

  • Habermas revisited

    Open Access•Hanna Mattila•Progress in Planning•2020

  • The aesthetic rationality of the popular expressive arts

    Open Access•Elizabeth Quinlan, Roanne Thomas et al.•Social Theory & Health•2014

  • When craving goodness becomes bad

    Astrid Kersten•Culture and Organization•2008

  • The Cambridge Habermas Lexicon

    Open Access•Juan Carlos Velasco Arroyo, Amy Allen et al.•Cambridge Habermas Lexicon•2019

  • Heinrich von Kleist’s “Marquise von O….”

    Daniel Nolan•Seminar A Journal of Germanic…•2020

  • Habermas, 1968, and the turn to aesthetic‐expressive protest

    Open Access•Robert Wyllie•Constellations•2020

Unique citing works7
Citations per year0,39
Citation span2008 - 2020 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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