The Temporality of Place, Postmodernism, and the Fassbinder Texts
Bibliographic Data
| ID | 4071362 |
|---|---|
| Authors | Timothy Corrigan (corresponding author) |
| Year | 1994 |
| Issue | 63 |
| Pages | 138 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/488478 |
| OpenAlex | W2313946284 |
| Language | EN |
the characters were found less and less in sensory-motor 'motivating' situations, but rather in a state of strolling, of sauntering, or of rambling which defined pure optical and sound situations. The actionimage then tended to shatter, whilst the determinate locations were blurred, letting any-space-whatever rise up where the modem affects of fear, detachment, but also freshness, extreme speed and interminable waiting were developing. Gilles Deleuzel
Art · Epistemology · Literature · Postmodernism · Temporality · Art, Politics, and Modernism · Philosophy · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |