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Klossowski and His Simulacra

Bibliographic Data

ID4079167
AuthorsDarin S Mcginnis (0000-0003-0787-7633, Wheeling Jesuit University, corresponding author)
Year2017
Volume12
Issue12
Publication date2017-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePhilosophy Compass (JOURNAL)
Journal identifiersISSN: 1747-9991 • E-ISSN: 1747-9991
PublisherWiley (PUBLISHER • GB)
DOI10.1111/phc3.12462
OpenAlexW2755339022
LanguageEN
Citations received1
References cited5

Pierre Klossowski's (1905-2001) career in philosophy is a brief but significant intervention into the manner in which the connections between desire, identity, and meaning are thought. Although Klossowski's influence on much of what is called French "post-structuralism" or "post-modernism" is frequently noted, Klossowski's development of the motif of the simulacrum is rarely traced in its proper context. Through readings of the texts of the Marquis de Sade, Georges Bataille, and Friedrich Nietzsche, as well as his own ruminations on the polytheism of the ancient Roman cult of Diana, Klossowski constructs a critique not only of the identity of the self but also of the supposed unity of reason and rational signs. Klossowski's critique demonstrates how meaningful discourse is produced from the basis of incommunicable affects, which project images in consciousness that, only then, are able to take the form of iterable simulacra. Our "gregarious" discourse in language is, thus, formed only indirectly from the affects and acquires its supposed unity only as it fails to express those affects

Aesthetics · Art · Connotation · Consciousness · Cult · Epistemology · Linguistics · Literature · Simulacrum · Theology · French Literature and Critical Theory · French Literature and Criticism · Philosophy · Semiotics and Representation Studies

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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